Donnybrook Production Services

I’ll have a chance this weekend to check out the latest feature film offering from a good buddy of mine, and local Philly Philmmaker, Ben Hickernell. ‘Backwards’, the rowing inspired offering which makes expert aesthetic use of Philly’s own Boathouse Row, stars James Van Der Beek and Writer/Producer Sarah Megan Thomas in the lead roles.

The film, which opened locally last weekend to moderate reviews, offers a glimpse behind the curtain at the world of Women’s Olympic Rowing, and the sweat equity endured by athletes competing for spots on the official US Rowing Team.

While the reviews may be so/so, I’m confident that the rowing scenes themselves will look great.  DP Harlan Bosmajian was our Cinematographer on the film, and was assisted by Key Grip Nic Reader, of Expressway Grip fame.  The boat rigs, which were custom built for the project, were painstakingly crafted especially for the film by Nic and his Best Boy Zac Rubino…and they allowed for some fantastic camera placement that I look forward to watching on the big screen.  And who knows, maybe the ‘Beek himself will make an audience appearance.

There’s something to be said for a gig that solidifies nearly two straight months of steady work…long live feature film opp’s!  However, I’m finding a number of fringe benefits to my current run as the UPM on “Backwards”, in addition to the welcomed financial stability.  Chief among those benefits has been a privileged glance behind the curtain of Philly’s very own Boathouse Row.

With more than a week’s worth of production along Kelly Drive, and pit stops at the Waterworks and Philadelphia Art Museum, we’ve set up camp in Vesper Boat Club…one of the more prominent rowing clubs along the waterfront stretch that is Boathouse Row.  Surrounded daily by more than a century’s worth of history, it’s been a humbling experience to say the least.  And the funny thing is, I’m one (of many, I’m sure) that’s come to take this world-famous strip of Philly real estate for granted.  I’ve driven, peddled, and even strolled past these houses countless times over the years, all the while largely oblivious to the daily goings on taking place on their docks.  It’s been fun to gain such all access status to such a historic location, and i’ll never look at this section of the Schuylkill the same way again.

In fairness, working for weeks on end with the talented crew and cast has been a noteworthy fringe benefit as well.  Director Ben Hickernell and I have been pals for years, so working with him was bound to be fun.  The film does, however, mark my first teaming with Line Producer Brian David Cange, and only my second with 1st AD Michael DelPolito…both of whom I look forward to subsequent collaborations with for sure.

With wrap looming ever closer, it will be equal parts refreshing to get some much needed R&R, yet a bit of a bummer to part ways with the crew…bittersweet.